by Holger Schulze For twenty years now I am writing with, through and about sound. That is not an incredibly long time. I did not write about sound for the first thirty years of my life. By now it has …
Read moreDenkempfindungen: We’re going to prove the impossible really exists.
In this regular Q&A series, we interview authors and major figures in the field about their work, interests, and overall thoughts on sound studies. This week, we spoke to musician, music editor and writer, Alan Licht. What are you working …
by Ian Biddle This blog post examines the thesis, often stated in sound studies (Goodman, Hartford, Porcello, Daughtry), that war transforms the ways in which humans engage with sound. Much of this recent work has focussed on the idea that, …
Read moreThe ear of the remnant: New modes of listening in the Second World War
by Jordan Lacey It was the power of music that seeded my interest in sound studies. Music was a time, as a child, when there was maximum happiness in the family home. Often, it meant socializing with others, the drinks …
World-renowned soundscape ecologist and sound designer Bernie Krause discusses his field recording methods and ecological perspectives as developed over decades of recording wild soundscapes in this interview with D Ferrett. D: During your career you have worked as a musician, …
Read moreListening for baselines beyond anthropophony: An interview with Bernie Krause by D. Ferrett
In this regular Q&A series, we interview authors and major figures in the field about their work, interests, and overall thoughts on sound studies. This week, we spoke to Brandon LaBelle, an artist, writer and theorist working with sound culture, …